"Do you believe in the way the country is organized?" asks Caroline Bury in It's a Battlefield. She's a woman who's connected, who "had chosen to exercise her passion for charity" in the territory of politics. The story follows Caroline and others as they try to prevent a London bus driver named Jim Drover from hanging.
I'd already made up my mind about Paolo Coelho's book by the end of the first chapter, well before we learn that "Veronika [-] finished her studies, went to university, got a good degree, but ended up working as a librarian." This is not the sort of thing that endears an ex-librarian to a narrator.
On the surface, The Haunting of Hill House is a straightforward ghost story, where four strangers meet in an isolated gothic mansion and experience supernatural phenomena. Dr. Montague, an anthropologist, has rented the haunted house for three months. He hopes to make his fame and fortune "upon the publication of his definitive work on the causes and effects of psychic disturbances." His search for suitable assistants unearths Eleanor Vance, who had dutifully cared for her mother for eleven years, leading a life of "small guilts and small reproaches, constant weariness, and unending despair." Two others agree to join the Doctor, Theodora, for whom duty and conscience are "attributes which belonged properly to Girl Scouts", and Luke Sanderson, who will inherit Hill House, and who "was a liar" and "also a thief."
I imagine that many youths have developed a loathing for Virginia Woolf's Mrs. Dalloway because they have been forced to study it. The story begins with Clarissa Dalloway setting out to buy flowers for a party she is throwing later at her home in London. Its narrative weaves in and out of the minds of several characters, follows them as they wander through streets and parks, and accompanies them to appointments. "But nothing happens!" I can hear the teens cry. Having been exposed to Proust's reflections on tea and cake at school, I understand their anguish.
'I have always found that if a man does not give himself a good word, his friends will not do it for him.' Barry Lyndon is not shy of praising himself in the book that bears his name. The subject of Thackeray's The Memoirs of Barry Lyndon, Esq. is self-explanatory. Redmond Barry is brought up by his mother, who fills his head with heroic tales of his ancestry. He is a belligerent boy, proud and naive, and grows into a wild teenager, who, in one of my favourite episodes of the book, becomes involved in a duel for the love of a local Irish girl.
Ruth Patchett has a good life, her husband Bobbo tells her so. Ruth is lucky to have such a good-looking husband, the neighbours often remark on it. With so little self confidence, it's no surprise that Ruth falls apart when Bobbo begins an affair with the romantic fiction writer Mary Fisher.
"Ever feel like murdering somebody?" Like many people I'm sure I've felt like it, but only in the heat of the moment, never in reality. But Charles Bruno in Patricia Highsmith's first novel, Strangers on a Train, isn't like most people. He's an alcoholic, desperately bored, rich man whose father keeps him short of money.