General Elektriks, merci infiniment!

In 2004 I went over to Cimiez Gardens, City of Nice, to the Festival de Jazz. You can't do that now, it's not held there anymore. But that night I heard a band that for me redefined the word funk. I remember being knocked out by their energy, their stamina and their tidy clothes. That band was France's now legendary General Elektriks. 18 years and 5 albums later General Elektriks is still going strong. So when I heard that the Elektriks was promoting a new album called Party Like A Human and was planning to perform in Monaco, well, needless to say I jumped at the chance to write the blog post that you're about to read. I wanted to capture the sights and sounds of a November Sunday night. (1)

Junior Giscombe brings the groove to Monaco

Who would've thought that those of us who've qualified for a bus pass would be exchanging tips about music with generation-z-ers. The kids are now interested in artists from the 60s, 70s and 80s, since our music has been in the charts (Kate Bush), and our artists have played at Glastonbury (Paul McCartney and Diana Ross). In Monaco too Jeff Beck is opening Monte Carlo SBM's Summer Festival, 9 July.

Well, here's a tip for you, whether you're a millennial or a boomer or anything in between. Go and see Junior Giscombe, aka Junior of Mama Used to Say (1981) fame. Last weekend he was on stage for two nights only at Note Bleue,

The culmination of a lifetime of struggle

In the Prologue to A Cure for Gravity Joe Jackson describes an eventful 1975 gig in Basingstoke. He follows up with musings on where his love of music came from, his first musical memories (The Runaway Train, and Exodus), his working class upbringing in Portsmouth and first attempts at gigging. And then, aged sixteen, he has to choose what to study for his A-Levels. It was an important decision, because what you chose to study in 1970s England could limit your further education choices and consequently what sort of job or career you ended up in. I should know. My own plans had to change for the sake of the headmaster's timetable. I discussed my future options with Mum, as did Joe Jackson, whose mother suggested he become a librarian. His reply? "A librarian! I might as well be buried alive."

David or Donny?

First there was "Sinatramania", then there was Elvis, and in the 60s it was The Beatles. When I was ten years old, I passionately defended David Cassidy and vilified Donny Osmond. The Bay City Rollers, Bros, Take That; Goldy Moldavsky's book, Kill the Boy Band, will speak to anyone who has had a teenage crush on an inaccessible, world-famous popstar.

The story begins in a hotel suite, where Rupert P., member of The Ruperts, is tied to a chair with a pair of tights. Four Strepurs, as fans of the band call themselves, are discussing what to do, and one of them, a self-confessed liar who is in therapy, narrates the story.

Labeled as a YA book, it's a very easy read, written in a casual and chatty style, with a lot of humour. There's a dark side too, raising questions about obsession, friendship and mental health. I found myself, early on, thinking if I would be chuckling quite so much if it were a bunch of teenage lads who had captured a female pop star.

You have to suspend disbelief at a couple of plot points, but overall it's a fast-moving, entertaining who-dunnit mystery.

As for David or Donny, you be the judge:

The giddy carousel of pop

Oh, the "Giddy Carousel of Pop"! Mark Ellen's amusing and nostalgic memoir brought back many happy music-based memories: Dad making annoying comments during Top of the Pops; sniggering with a chum over copies of Smash Hits; being in a band.

More seriously, the book traces the changing face of music journalism and the consumption of music since The Beatles. It also touches on what the life of a pop/rock star might be like.

General Elektriks: back in Europe

It was hot on Friday night. The temperature didn't drop much below 27 degrees, even once the sun had dipped behind the hotels overlooking Jardin Albert Premier. A guy walked past wearing a black t-shirt that said "Johnny Fucking Marr", and I thought, "Me too, mate." (1)

But hotter still was the music. French band General Elektriks walked onto Massena Stage at 21:15 and didn't stop for 75 minutes. Led by Herve "RV" Salters, the five-star, five-man, multi-instrumentalist lineup was at Nice Jazz Festival to promote Carry No Ghosts, released in February this year. RV writes and records his funk-based music alone in the studio, but when he tours, he's surrounded by talent.

The band looked cool, everyone dressed in white, the only colour being provided by RV's red striped tie and the title of the opening number, Different Blue. Bassist Jessie Chaton channels the 70s with his wild affro and white silk scarf. Jordan Dalrymple, aka Antonionian, adds a touch of 80s with his white framed shades. Touski's Mohican punks up the vibraphone and drums, and Eric Starczan's virtuosity on the guitar needs absolutely nothing else.

The music ranged from the slow and easy Au Tir A La Carabine, through the catchy Raid the Radio to the early-80s-electronic sounding I Can't Relate, all underpinned by a driving, infectious funk beat. RV invited the audience to "sautez avec nous" in David Lynch Moments, and the jumping continued through a gritty-guitar cover of Soft Cell's Tainted Love. During Tu M'Intrigues, RV's torso was in danger of disconnecting entirely from his hips and legs, as he jumped, shuffled and swung whilst his hands slapped at the keys of his Hohner Clavinet. The set ended with Amour Uber Alles, its multi-lingual lyrics reflecting RV's French nationality, his lengthy sojourn in San Francisco, and his current home, Berlin.

General Elektriks is touring France until the end of 2018, with one gig in Belgium. Check out the dates on the band's website here: General Elektriks concerts. It would be cool to see them more often now they're back in Europe.

(1) The French phrase "J'en ai marre" means "I'm fed up".

Whatever happened to Depeche Mode?

I'd completely forgotten about Depeche Mode, and I didn't bother to refresh my memory because by the time I made enquiries about the gig at Nice's Stade Ehrmann it had sold out.

The Man wanted to see them. He said they were one of his favourite bands, and lucky for him, we got two tickets that were going spare because his mates' girlfriends decided they didn't want to go.

I wasn't sure I wanted to go either, so I did a bit of browsing to find out what the Essex band's top hits had been, and what their recent output was like. A YouTube search followed, to see if I recognized anything.

And the memories came flooding back…