Now, I realize that accounts differ... My account you can trust

Did you know that Macbeth was a real Scottish king who died nine years before William the Conqueror fought the battle of Hastings? Shakespeare put his own spin on the real man to big-up the ancestry of James Sixth of Scotland (and First of England). The playwright relied on an English chronicle, but there are at least four alternative Scottish histories. And have you seen Braveheart, Mel Gibson's kilt-clad, woad-faced portrayal of the 13th century struggle for Scottish independence? One historian said of the movie that it was "one of the most historically inaccurate films I have ever seen. It bears almost no relation to historical fact". Now I'm not suggesting that everything we think we know about Scotland might be made-up for some nefarious purpose, but maybe we should take a step back and reconsider what we've been told, especially if it's based on the work of a couple of blokes in the entertainment industry, both of whom had businesses to run.

Pussy Riot. - That's just middle age. It'll sort itself ou'.

I started to read Roddy Doyle's Two Pints a few years ago, when an Irish friend gave me a copy and told me it was "feckin' brilliant". Well, I didn't get far with it. I couldn't get to grips with the dialogue, written to try and capture the Dublin accent. So the book lurked at the back of the shelf, forgotten.

It wouldn't be long before people lost interest.

I was intrigued by the premise of Yun Ko-eun's The Disaster Tourist. It's about a South Korean woman named Yona, who works for a travel company called Jungle that organizes holidays based around disaster zones. After being assaulted by her boss, and knowing that if she makes a fuss she'll lose her job, Yona accepts the offer of a business trip to assess one of Jungle's destinations: the fictional island of Mui.

Fish, felines, and fowl

In the run up to Christmas I read three more of the books that have been sitting on my shelf for years. They're all novella length and each one features a creature alongside a human. Ernest Hemingway's The Old Man and the Sea (1952) recounts a lone man's struggle to land a fish, George Mikes's Tsi-Tsa (1978) charts the writer's relationship with a cat, and Barry Hines's A Kestrel for a Knave (1968) relates how a bird of prey lifts a boy out of misery.

So. Farewell then Stars n Bars

2023, the start of a new year and the end of an era as it sadly heralds the closure of Monaco's Stars n Bars on 27 January, thirty years to the day since the American diner opened.

So many memories have been made there! We've had rowdy meals with friends and convivial drinks at the bar. And all the events! The first floor venue, Stardeck, has great views over Port Hercule, and if you've been in Monaco as long as me, you'll remember it as Fusion. It hosted the Riviera Comedy Club where the Other Half and I saw Isy Suttie in 2009. And what about all the networking evenings? You never knew who you'd meet. One time we were just about to leave when an Australian couple came over to say hello and we ended up having dinner with Mr Nightclub of Melbourne. Monaco's musicians entertained us at Open Mic Nights, we watched Barack Obama's inauguration and SuperBowl streamed live on TV, and at one memorable quiz night we were joined by a Monaco VVVIP.

Here then is my tribute to Stars n Bars for all the great times I've had there.

In Memoriam

Stars n Bars, we must say our goodbyes.
Adieu! No more burgers and fries.
Thanks for thirty great years.
Cheerio, ciao and cheers!
From the ashes a phoenix will rise.

Oh, poppycock! Who wrote this rubbish?

If I hadn't just read Lewis Carroll's Alice's Adventures in Wonderland I wouldn't have got much further than the first couple of chapters of Automated Alice. But then I wouldn't have got much further than the first couple of chapters of Alice's Adventures in Wonderland if a pristine copy of Jeff Noon's book weren't sitting on my shelf, unopened since buying it twenty years ago. The two were inextricably linked, just like Alice and her 'twin twister' Celia.

Mis-sold by the marketers

In 2019 there was a lot of buzz around Candice Carty-Williams's debut novel Queenie. The marketing bods, of which Carty-Williams is one herself, did a sterling job. I was sold on the idea of a "smart and breezy comic debut", "astutely political, an essential commentary on everyday racism" in Black British life.

It starts when Queenie's boyfriend of three years, Tom, has just told her he wants a break. She interprets this to mean and then we'll get back together. However what he really means is that he wants to break up permanently.