Friday 21 April 2017

Groan-worthy puns

The Diary of a Nobody Perhaps this is one of those books that improves with a second reading.

Initially, I just didn't connect with Charles Pooter, the Nobody who records his day-to-day life and thoughts. Intellectually, I can see that Pooter is a funny character, pompous, old-fashioned and overly deferential to those he sees as his superiors. But I never properly laughed at his domestic and social misfortune, his groan-worthy puns and the antics of his small group of friends. The only character I really liked was Lupin, Pooter's modern, individualistic son.

I did enjoy it, but as an amusing and interesting satire of aspirational middle-class society in the late 19th century, not as one of the top ranked humorous books of all time.

Thursday 20 April 2017

Painfully poignant

On Chesil Beach A friend told me that Ian McEwan's On Chesil Beach was one of only two books that made her cry.

It describes the 1962 wedding night of 21-year-olds Edward and Florence, both inexperienced sexually and unable to talk about their fears. Childhood and teenage experiences are weaved into the narrative, and their family backgrounds and hopes for the future are explained. However nothing has prepared them for their first sexual encounter.

I found myself sometimes wanting to laugh at the characters' embarrassment and misunderstanding, but overall, my heart ached for them. On Chesil Beach is not only a beautifully written book, but it also provides a convincing argument for openness in discussing sex.

Monday 17 April 2017

Phil Mitchell's fidgety sausage

How To Be A Woman I can never again look at Eastenders's Phil Mitchell's bald head without thinking about a fidgety sausage.

Caitlin Moran takes us through her personal discovery of what it means to be a woman and a feminist. She traces her development from puberty to motherhood, and comments on how women are still being repressed by society's idealistic views of femininity.

Sunday 16 April 2017

More depth on the page than the TV

A Great Deliverance (Inspector Lynley, #1) Barbara Havers is unattractive. The working class Detective Sergeant of Elizabeth George's Inspector Lynley series is introduced as an unsympathetic character, prickly and prejudiced, whereas her upper-class boss, Detective Inspector Tommy Lynley has a past that haunts him. I'd only ever seen Havers and Lynley in the television adaptations, and it was a pleasure to discover the fictional police characters have a lot more depth on the page.

Friday 14 April 2017

The pain of youth

Of Human Bondage Of Human Bondage is about a boy who discovers that mountains can't be moved. It follows the life of Philip Carey from the age of 9, when he was orphaned, through childhood, adolescence and manhood, up to his early 30s.

There are episodes of Philip's life that I completely connected with; his relationship with his uncle, his experience of religion, his desire to escape small-town life through travel. His adventures in Heidelberg and Paris reminded me of my own youth, trying to discover what to do with the rest of my life.

Thursday 13 April 2017

The people, not the scenery

The Road to Wigan Pier "Mr Orwell [ - ] liked Wigan very much - the people, not the scenery."

Before I read George Orwell's Road to Wigan Pier, I was given the impression that it contained a scathing attack on the working class of the North West of England, but I was completely misled. Orwell wanted to tell people about the terrible conditions of unemployed miners, and to make a case for supporting socialism in order to counter the 1930s rise of fascism.

Wednesday 12 April 2017

Marvellous mystery but class-ridden characters

The Nine Tailors (Lord Peter Wimsey, #11) One of my favourite authors, Jim Kelly, was inspired to write after reading Dorothy L Sayers's The Nine Tailors, so I thought I'd give it a go.

The book's detective is Lord Peter Wimsey, amateur sleuth, who finds himself stranded in the Fenlands on New Year's Eve. To be honest, I didn't really warm to Wimsey, and I can't say I liked many of the characters in the book. They all seemed a bit too class conscious, but perhaps this was intentional. The Industrial Revolution ignored the isolated village of Fenchurch St Paul, which seems stuck in the early 18th century. It's a place I would have wanted to escape from. Characters are obsequious or in-bred, and I found Wimsey somewhat patronizing.