Helmut Newton: Amazonian women and Wild West gunfighters exposed in Monaco

Newton, Riviera Gallimard/NMNM 2022

An exhibition of Helmut Newton's work is on at Monaco's Villa Sauber (5) until 13 November 2022. Newton, Riviera features photos taken mostly on the French Riviera from the 1960s until the photographer's death in 2004. Some 280 images include fashion shoots, personal snaps and private commissions.

What the pundits say

Newton's work has been labelled kinky, perverted, and misogynist, but a better description may be ambivalent. A large part of his output is not at all provocative, and pretty much everyone agrees that he's had a major influence on fashion photography.

Junior Giscombe brings the groove to Monaco

Who would've thought that those of us who've qualified for a bus pass would be exchanging tips about music with generation-z-ers. The kids are now interested in artists from the 60s, 70s and 80s, since our music has been in the charts (Kate Bush), and our artists have played at Glastonbury (Paul McCartney and Diana Ross). In Monaco too Jeff Beck is opening Monte Carlo SBM's Summer Festival, 9 July.

Well, here's a tip for you, whether you're a millennial or a boomer or anything in between. Go and see Junior Giscombe, aka Junior of Mama Used to Say (1981) fame. Last weekend he was on stage for two nights only at Note Bleue,

Not a woman who bears grudges?

I didn't have high expectations for Sarah Haywood's The Cactus. Goodreads places it in the Chick Lit category, and it's been described as endearing, heartfelt and charming. Reese Witherspoon chose it for her book club, and like 'Where the Crawdads Sing', which was one of my most disliked books of the past couple of years, intends to adapt it for the screen.

The story is narrated by its protagonist, Susan Green, who in the first sentence of the book describes herself as "not a woman who bears grudges, broods over disagreements or questions other people’s motives", which implies that she most certainly will do all of those things in the following pages.

What makes states: walls and writing

An acquaintance suggested James C. Scott's Against the Grain might be of interest. We'd been discussing the benefits of small, local forms of self-government versus the large state. I'd recommended Paint Your Town Red, and she countered with Against the Grain.

The author is an American political scientist and his book investigates the formation of the earliest states.

A fine book let down by poor digitisation

Brown Girl, Brownstones is Paule Marshall's debut novel, published in 1959. It's the coming-of-age story of Selina Boyce, who when the story starts in 1939 is "a ten-year-old girl with scuffed legs and a body as straggly as the clothes she wore". She lives in Brooklyn with her family, older sister Ina, and parents Silla and Deighton, who are West Indian immigrants. They inhabit a 'brownstone' house, which the mother hopes one day to buy. Deighton meanwhile studies accountancy, hoping that when "I finish I can qualify for a job making good money".

She was only Anne

I was heading for Bath and read that Jane Austen's posthumously published Persuasion is set there. Ideal reading for my visit, I thought.

The first few chapters set the scene. Anne Elliot, unmarried middle-daughter of Sir Walter of Kellynch Hall, still pines for her first love, Frederick Wentworth.

"Lies, lies, adults forbid them and yet they tell so many."

Who would want to be a teenager again? Not me. Nor, I imagine, the fictional narrator of Elena Ferrante's The Lying Life of Adults.

The book begins with Giovanna Trada remembering an incident when she was 12 years old: "my father said to my mother that I was very ugly". He goes further, explaining, "Adolescence has nothing to do with it: she's getting the face of Vittoria" his sister, whom Giovanna has never met. Piqued by a further description that in her aunt "ugliness and spite were combined to perfection", the young girl contrives to meet this woman to whom she bears a resemblance. As a consequence Giovanna discovers the working-class roots of her academic father, and learns that what adults say is not necessarily true.