Here's a book for people who want to know more about Shakespeare but need a bit of guidance before sitting down to watch or read a whole play. Emma Smith has chosen 20 of Shakespeare's works, briefly explains the plots and investigates the themes. More importantly she teases out what it is about them that continues to make them relevant to theatre-workers and theatre-goers today.
Although written by a Shakespeare scholar, the writing style is accessible and engaging. Each chapter discusses one of the Bard's plays, but there's no need to read them in order. You can pick the book up and delve right into a comedy or tragedy that you know, then investigate those you may not be familiar with later. I started with favourite movie adaptations: Sir Ian McKellen as
Richard III, Ben Whishaw as
Richard II, Baz Luhrman's
Romeo and Juliet, and
The Taming of the Shrew aka
Ten Things I Hate About You or
Kiss Me Kate.
One of the most memorable chapters dealt with
A Midsummer Night's Dream, which I'd never seen and knew little about. I'd thought it was just a fairy story, but it turns out that it "
really isn’t a play for children". I've subsequently enjoyed the 1999 film version with Kevin Kline as Bottom. Other adaptations are available.
Like many, my introduction to Shakespeare was at school, but when I studied
Twelfth Night aged 15 its cross-dressing characters merely seemed to be a plot device to set up some humorous misunderstandings. Now, in a world of LGBTQ+ rights the play takes on a new relevance. This is the value of Emma Smith's book. It shows how over the past 500 years, for each generation Shakespeare "
can resonate in particular circumstances, and how we can bring to the plays our own emotional, political, ideological and creative energies."
More stuff
Adults always claim that Christmas is for the children. Who are they trying to kid? Whatever your age, 25 December provides an excuse to stuff yourself with sweeties and play silly games.
Convenience Store Woman is about Miss Furukura. "Everyone thought I was a rather strange child", she says, and it was only when she started working at a convenience store and was trained to deal with customers that she was able "to accomplish a normal facial expression and manner of speech." Now in her mid-30s, unmarried with no boyfriend, she's worked part-time in the same store for the past 18 years or so. Following her sister's advice on how to appear "normal", she's happy.
This week saw yet another report of university students banning a speaker for remarks made during a debate. It was a perfect opportunity for John Cleese (Monty Python and Fawlty Towers star) to gain some publicity for his upcoming documentary on "cancel culture". The media is full of such voices, incensed by "woke rules". We Need New Stories shines a light on such outrage and exposes the hidden agendas.
I'd come across Bernardine Evaristo's 2001 book, The Emperor's Babe, in a search for fiction based in Roman times. It had won a few awards and been named "best book of the year" by several newspapers, so after reading 2019's Booker-Prize-winning Girl, Woman, Other I got hold of the author's earlier work.
Tu Montreras Ma Tete Au Peuple is a gem of a book, but as yet only available in French, the language of its author François-Henri Désérable. It contains ten bite-sized stories, myths and legends of the French Revolution.
If you want something done, do it yourself. After "forty years of neoliberalism having gone unchecked and unchallenged" in the UK, what can people living in depressed areas do to counteract "post-industrial neglect and its deeply damaging social and economic impact"? Matthew Brown and Rhian Jones have some suggestions in this book.