
Thursday, 11 November 2021
Beautiful princesses and handsome princes

Mostly an entertaining story

Allan Karlsson, never "given to pondering things too long", steps out of the window of his ground floor room in an old people's home, and sets in motion a series of tragic yet comic events. By chapter five we know a little about Allan's childhood, and his philosophy of life, "Things are what they are, and whatever will be will be. That meant, among other things, that you didn’t make a fuss, especially when there was good reason to do so".
The result of idle speculation

Truth or fiction?

Freddie identifies the turning points that have led him to his current situation. But if we think we can begin to understand his actions by these meaningful moments, Freddie quickly puts us right. He says, "They have significance, apparently. They may even have value of some sort. But they do not mean anything. There now, I have declared my faith.".
We can't believe anything that Freddie says. Which parts of his life are fake and which real? He tells us he might try to use what he has written as his testimony. "But no," he says, "I have asked Inspector Haslet to put it into my file, with the other, official fictions." On finishing The Book of Evidence I can only conclude that Banville has written a metafiction, an account of a murder narrated by a fictional murderer who never stops telling us stories. Deep!
A generous and wise aunt

The first of sixteen letters explains that Alice is "doing a college course in English Literature, and ... obliged to read Jane Austen" Alice finds Austen boring, petty and irrelevant and sees no purpose in reading her books, but Weldon attempts to persuade her niece otherwise.
Can you trust your memory?

You're better off without him, love!

Can the same be said for feline-centric literature?
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