The purpose of Mark Twain's 19th century travel guide is "to suggest to the reader how he would be likely to see Europe and the East if he looked at them with his own eyes instead of the eyes of those who traveled in those countries before him."
Eleanor Oliphant is odd. People don't understand her and she finds it difficult to make friends. We very quickly learn that she's had at least one abusive experience, since she turned up for a job interview "with a black eye, a couple of missing teeth and a broken arm." But there are little clues in the text that lead us to suspect that Eleanor has suffered something much more dreadful, and this has probably influenced her behaviour and self-imposed loneliness. Things start to change when Eleanor finds the love of her life wearing "the bottom button of his waistcoat unfastened", and when she develops a friendship with the office IT guy, Raymond, who wears "a T-shirt showing a cartoon dog, lying on top of its kennel".
There were four of them --- George, and William Samuel Harris, and J., and Montmorency the dog. They were sitting in J.'s lodgings, comparing their ailments, and reached the conclusion that they needed rest, a "change of scene, and absence of the necessity for thought." Two weeks in a hired rowing boat on the River Thames was chosen as the best remedy, although Montmorency thought "the whole thing bally foolishness". The three friends packed their bags and set off to enjoy themselves.
"Do you believe in the way the country is organized?" asks Caroline Bury in It's a Battlefield. She's a woman who's connected, who "had chosen to exercise her passion for charity" in the territory of politics. The story follows Caroline and others as they try to prevent a London bus driver named Jim Drover from hanging.
I'd already made up my mind about Paolo Coelho's book by the end of the first chapter, well before we learn that "Veronika [-] finished her studies, went to university, got a good degree, but ended up working as a librarian." This is not the sort of thing that endears an ex-librarian to a narrator.
On the surface, The Haunting of Hill House is a straightforward ghost story, where four strangers meet in an isolated gothic mansion and experience supernatural phenomena. Dr. Montague, an anthropologist, has rented the haunted house for three months. He hopes to make his fame and fortune "upon the publication of his definitive work on the causes and effects of psychic disturbances." His search for suitable assistants unearths Eleanor Vance, who had dutifully cared for her mother for eleven years, leading a life of "small guilts and small reproaches, constant weariness, and unending despair." Two others agree to join the Doctor, Theodora, for whom duty and conscience are "attributes which belonged properly to Girl Scouts", and Luke Sanderson, who will inherit Hill House, and who "was a liar" and "also a thief."
I imagine that many youths have developed a loathing for Virginia Woolf's Mrs. Dalloway because they have been forced to study it. The story begins with Clarissa Dalloway setting out to buy flowers for a party she is throwing later at her home in London. Its narrative weaves in and out of the minds of several characters, follows them as they wander through streets and parks, and accompanies them to appointments. "But nothing happens!" I can hear the teens cry. Having been exposed to Proust's reflections on tea and cake at school, I understand their anguish.