Virginity: the sum of a girl's worth

In the early 1970s Mum's American pen friend and family paid us a visit on their way home from Iran; the husband was something in US diplomacy. We wore our best clothes and had to be on our best behaviour. Our visitors had straight teeth and spoke with movie-star accents. They brought with them a small souvenir for each of us from the faraway, fairytale country about which I knew nothing. I still have my gift, a little mirror mounted behind small doors in a hand-made, hand-painted frame. I'd never owned anything so exotic, and for many years this was my only image of Iran. So when I picked up Jasmin Darznik's Song Of A Captive Bird I thought it might give me some insight into the country.

Developing your sixth sense

In 2018 Stuart Heritage wrote a review for the Guardian of Tristan Gooley's Wild Signs And Star Paths and I immediately added the book to my "to be read" list. This year I finally got round to it.

Gooley explains what he's going to do in his Introduction: "I will show you how to sense direction from stars and plants, forecast weather from woodland sounds, and predict the next action of an animal from its body language–instantly."

A remarkable escape from slavery

I was surprised to discover within one branch of my family's history, a chemist-druggist who travelled to America in 1862, leaving his wife behind, to join the Unionists of the American Civil War. He remained in the USA after the war ended and became a naturalised citizen. What on earth drove him to do that? Here's an hypothesis: perhaps he'd come across Running a Thousand Miles for Freedom, the remarkable story of how two slaves escaped their bondage and gained their freedom.

Nostalgic notes from a small island

I first read Bill Bryson's Notes from a Small Island when it was published back in 1995, and then a few years ago I picked it up again to see if it had anything to say about the Bournemouth area. It did (Chapters 6 and 8) because that's where Bryson first worked as a journalist in the UK. I can't say I found any useful insights for my holiday, but chuckled reading that the British "are the only people in the world who think of jam and currants as thrilling constituents of a pudding or cake". Well, I can't argue with that knowing my own fondness for an Eccles cake. So when I returned home I decided to give the book another go.

The main thing to note is that Bill Bryson has not written a travel guide. Sure, it describes a journey around Britain, but the chapters are numbered rather than identified by a destination, and there's no index. It's a memoir, and the places he visits mostly recall episodes in his life. For instance his first encounter with England in Dover, or when he met his wife in Virginia Water, or his first real job in Britain at the Bournemouth Evening Echo and his work at The Times newspaper in 1980s London during the "Wapping dispute".

It is funny tho'. I laughed out loud several times, really laughed. For instance when he gets drunk in Liverpool and when he can't understand the Glaswegian accent. I was thrilled to find he enjoyed the old Coronation Street Tour as much as I did, and nodded in agreement with his description of the rail journey along the North Wales coast. The humour is terribly British and may not be understood by all, nor be to everyone's taste.

If the humour's not your thing, a large amount of pleasure can be had in recognising destinations. Bryson's purpose is not to persuade you to discover new places, and although some towns sound horrible (Milton Keynes), the people are generally welcoming. Although I read somewhere that someone is attempting to recreate the tour and visit as many of the hotels, restaurants and pubs mentioned in the book that still exist.

Some things haven't changed. People still say you're brave if you're "planning to travel around Britain by public transport", and that "everyone, but everyone, you talk to in Oxford thinks that it is one of the most beautiful cities in the world". Also that "a place as prosperous and decorous as Harrogate could inhabit the same zone of the country as Bradford or Bolton". I can't speak for Bradford, but it's certainly true about the once great Lancashire town, tho' you wouldn't think so if you'd seen Bolton's eponymous fee-paying school in Cold Feet, and the town centre's Le Mans Crescent in Peaky Blinders.

Things have changed a lot in the past 25 years and I'm not sure it still reflects Britain and the British. Bryson mentions his "greatest admiration for the A-Z" but who uses that anymore in the age of mobile phones and Google maps? On the underground I was recently disabused of the "orderly quiet; all these thousands of people passing on stairs and escalators", after being elbowed out of the way and told to f*ck off at London Bridge tube station. One thing Bryson would perhaps consider a change for the better tho' is that these days the BBC is no longer showing repeats of Cagney and Lacey.

More stuff

• Bill Bryson on Wikipedia
• Wapping Dispute on Wikipedia
• Cagney and Lacey on Wikipedia
• Prime Time showcase for Le Mans Crescent as Peaky Blinders and Ipcress File air in The Bolton News
• Bolton School plays starring role in return of popular series Cold Feet in The Bolton News

What makes states: walls and writing

An acquaintance suggested James C. Scott's Against the Grain might be of interest. We'd been discussing the benefits of small, local forms of self-government versus the large state. I'd recommended Paint Your Town Red, and she countered with Against the Grain.

The author is an American political scientist and his book investigates the formation of the earliest states.

Antigone, Iphis, Electra and more

It was eighteen months after reading a review of Antigone Rising before I bought it. I'd forgotten what had drawn my attention to the book and assumed it was just a general interest in the Greek myths or perhaps a recent book club choice, Home Fire, Kamila Shamsie's modern retelling of Antigone. So it was something of a surprise, a pleasant one, to find it was actually about how those myths are being appropriated by feminists and non-binary people in the 21st century.

Living through a period when politicians don’t merely lie

When Boris Yeltsin became President of the new Russia, I was working for a bunch of London-based management consultants who were looking for opportunities to provide advice to the new Russian entrepreneurs. Our strategy was to employ two young Russians. The man introduced himself. He took my hand, bowed slightly, and I swear I heard his heels click. As for the young woman, she was terrified of flying, something of a disadvantage for a jet-setting consultant. Throughout a flight she would grip the arm rests but as soon as the Captain announced our descent she reluctantly let go and fished in her handbag for lipstick and mirror. No matter how terrible the situation, she told me, no Russian woman would ever allow herself to be seen without make up.

Other than a handful of students, that's been the limit of my personal knowledge of Russians.

Our pockets not picked in Paris

This is a true story. The events described took place in Paris in 2018 and are narrated by The Man. Sometimes he thinks he's in a Philip Marlowe novel.

It was about eleven o'clock in the morning, mid August, with the queues not moving and a look of resignation on the face of The Dame. I was wearing my navy-blue long shorts with leg pockets, white polo shirt, black sandals and no socks. I was cool, clean, bearded and sober, and I didn't care who knew it. I was everything the well-dressed traveler ought to be. I was crossing the City of Lights.

Do I like this?

Art Objects is a book for readers who relish language, its rhythm and its sounds. In other words, the art of the written word. In it Jeanette Winterson explores the idea of literature as art in a series of essays, using examples of the literature which she admires: the modernists, especially Virginia Woolf and Gertrude Stein.

I did wonder if I'd get much out of the book, since the only reading I have in common with Winterson is Woolf's Mrs. Dalloway, Winterson's own books, and Shakespeare. But I didn't let it put me off, and neither should you. This is a book that oozes love of literature.

Permissive, modern, challenging, gappy, frustrating, moving, attenuated, beautiful, ambiguous, resourceful, provoking, necessary. Yours.

Here's a book for people who want to know more about Shakespeare but need a bit of guidance before sitting down to watch or read a whole play. Emma Smith has chosen 20 of Shakespeare's works, briefly explains the plots and investigates the themes. More importantly she teases out what it is about them that continues to make them relevant to theatre-workers and theatre-goers today.

Although written by a Shakespeare scholar, the writing style is accessible and engaging. Each chapter discusses one of the Bard's plays, but there's no need to read them in order. You can pick the book up and delve right into a comedy or tragedy that you know, then investigate those you may not be familiar with later. I started with favourite movie adaptations: Sir Ian McKellen as Richard III, Ben Whishaw as Richard II, Baz Luhrman's Romeo and Juliet, and The Taming of the Shrew aka Ten Things I Hate About You or Kiss Me Kate.

One of the most memorable chapters dealt with A Midsummer Night's Dream, which I'd never seen and knew little about. I'd thought it was just a fairy story, but it turns out that it "really isn’t a play for children". I've subsequently enjoyed the 1999 film version with Kevin Kline as Bottom. Other adaptations are available.

Like many, my introduction to Shakespeare was at school, but when I studied Twelfth Night aged 15 its cross-dressing characters merely seemed to be a plot device to set up some humorous misunderstandings. Now, in a world of LGBTQ+ rights the play takes on a new relevance. This is the value of Emma Smith's book. It shows how over the past 500 years, for each generation Shakespeare "can resonate in particular circumstances, and how we can bring to the plays our own emotional, political, ideological and creative energies."

More stuff

• Emma Smith's site
• Emma Smith on Wikipedia
• Professor Emma Smith
• Gutenberg - The Complete Works of William Shakespeare

I read it in the Daily Mail so it must be true

This week saw yet another report of university students banning a speaker for remarks made during a debate. It was a perfect opportunity for John Cleese (Monty Python and Fawlty Towers star) to gain some publicity for his upcoming documentary on "cancel culture". The media is full of such voices, incensed by "woke rules". We Need New Stories shines a light on such outrage and exposes the hidden agendas.

Take back control of your town

If you want something done, do it yourself. After "forty years of neoliberalism having gone unchecked and unchallenged" in the UK, what can people living in depressed areas do to counteract "post-industrial neglect and its deeply damaging social and economic impact"? Matthew Brown and Rhian Jones have some suggestions in this book.

No ordinary woman

Hannah Mitchell describes herself as a "very ordinary woman" in her autobiography The Hard Way Up. The fact that she's managed to write a fascinating account of working-class life in the late 19th and first half of the 20th centuries belies that description. Her story is incredibly uplifting and an example of what one can achieve with determination.

Too many books, not enough time

There are things that happened to you when you were a teenager, things you had no control over at the time, things that changed the course of your life. For example, that time when the headmaster told you your choice of A-Levels didn't fit with his timetable, so you had to choose different subjects. You made the most of it of course, changed your expectations, reassessed your career options, and achieved success nonetheless.

Years later you find the time to do that thing you wanted to do aged sixteen and you discover David Lodge's book, The Art of Fiction

Parson Peters - a life of dishonesty

The word parson, like matron, brings to mind saucy Carry On films and salacious newspaper headlines. So it was with plenty of nudge-nudging and wink-winking that I settled on the sofa to read Adam Sisman's The Professor and the Parson: A Story of Desire, Deceit and Defrocking.

The Parson of the title is Robert Peters, and the book follows his career as he repeatedly tries to take up positions at academic and religious institutions around the world, using forged documents and bogus qualifications.

Period Piece: charmingly fearful of the lower classes

It's been difficult keeping Book Club going since March. Some members returned to their native land for lockdown, and most of our group are technologically challenged so Zoom is out. You can't imagine the relief when the rules eased and Sian invited the remaining four of us round to hers to discuss her book choice, Gwen Ravarat's Period Piece: A Cambridge Childhood. Much as I love The Man, I was euphoric with the prospect of finally seeing someone other than my partner and somewhere other than the walls of our apartment.

There was me, Sian, Bernard, Marco, and Susan, white bread smeared with salted butter and topped with smoked salmon, and a glass of white wine, which always helps lubricate the discussion.

So what about the book?

The culmination of a lifetime of struggle

In the Prologue to A Cure for Gravity Joe Jackson describes an eventful 1975 gig in Basingstoke. He follows up with musings on where his love of music came from, his first musical memories (The Runaway Train, and Exodus), his working class upbringing in Portsmouth and first attempts at gigging. And then, aged sixteen, he has to choose what to study for his A-Levels. It was an important decision, because what you chose to study in 1970s England could limit your further education choices and consequently what sort of job or career you ended up in. I should know. My own plans had to change for the sake of the headmaster's timetable. I discussed my future options with Mum, as did Joe Jackson, whose mother suggested he become a librarian. His reply? "A librarian! I might as well be buried alive."

The decline of Bolton

Ian Robinson's The Town that Vanished uses the Mass Observation Worktown investigation of the late 1930s "as a frame of reference for exploring why industrial towns like Bolton disappeared." It is a descriptive study rather than an academic attempt to answer a research question. The author's intention is also to "introduce the Worktown project to people who have little or no knowledge of it", primarily Boltonions.

How were the Nazis possible?

"What is history, and where does it take place?" Sebastian Haffner's book isn't concerned with the type of history we learn at school. Great leaders take small roles in the narrative because "decisions that influence the course of history arise out of the individual experiences of thousands or millions of individuals." Defying Hitler is the memoir of one such individual and "offers direct answers to two questions [-] 'How were the Nazis possible?’ and ‘Why didn’t you stop them?’"

Who knows what will work?

Before you think of getting into the movie business, do yourself a favour and read William Goldman's Adventures in the Screen Trade. Although it was written in the early 1980s, it rings true about what is generally known about the industry today.

It's split into three parts. The first part describes the industry in terms of its key players and elements. Stars "live in a world in which no one disagrees with them", agents "are not noted for human kindness", but above all, "not one person in the entire motion picture field knows for a certainty what's going to work".