A fine book let down by poor digitisation

Brown Girl, Brownstones is Paule Marshall's debut novel, published in 1959. It's the coming-of-age story of Selina Boyce, who when the story starts in 1939 is "a ten-year-old girl with scuffed legs and a body as straggly as the clothes she wore". She lives in Brooklyn with her family, older sister Ina, and parents Silla and Deighton, who are West Indian immigrants. They inhabit a 'brownstone' house, which the mother hopes one day to buy. Deighton meanwhile studies accountancy, hoping that when "I finish I can qualify for a job making good money".

She was only Anne

I was heading for Bath and read that Jane Austen's posthumously published Persuasion is set there. Ideal reading for my visit, I thought.

The first few chapters set the scene. Anne Elliot, unmarried middle-daughter of Sir Walter of Kellynch Hall, still pines for her first love, Frederick Wentworth.

"Lies, lies, adults forbid them and yet they tell so many."

Who would want to be a teenager again? Not me. Nor, I imagine, the fictional narrator of Elena Ferrante's The Lying Life of Adults.

The book begins with Giovanna Trada remembering an incident when she was 12 years old: "my father said to my mother that I was very ugly". He goes further, explaining, "Adolescence has nothing to do with it: she's getting the face of Vittoria" his sister, whom Giovanna has never met. Piqued by a further description that in her aunt "ugliness and spite were combined to perfection", the young girl contrives to meet this woman to whom she bears a resemblance. As a consequence Giovanna discovers the working-class roots of her academic father, and learns that what adults say is not necessarily true.

The legacy of apartheid

Damon Galgut won the 2021 Booker Prize for The Promise, but at book club we decided first to read his 2003 shortlisted The Good Doctor.

The story is told by Frank, a middle-aged, listless doctor who "had swallowed a lot of frustration over the years" and works in a hospital where there are few, if any, patients. It's set in a Homeland region of South Africa, described by Galgut in the Author's Note as "impoverished and underdeveloped [...] set aside by the apartheid government for the 'self-determination' of its various black 'nations'".

Nice use of the subjunctive mood

On a warm day at the end of March, LA private detective Philip Marlowe is idly looking at a neon sign for "a dime and dice emporium called Florian's". Another man, who "looked about as inconspicuous as a tarantula on a slice of angel food" looks at the sign too, then enters the building. It wasn't any of Marlowe's business, but he pushed open the doors and looked in too.

So starts Raymond Chandler's second Marlowe novel, Farewell, My Lovely.

Ghosts of loss, death, injury and trauma

Helen Dunmore has been described as "first and last, a poet", but I discovered her through her ghost story, The Greatcoat. Set a few years after World War II, it is unnerving and nightmarish.

This was not the face in the doorway

Nadifa Mohamed's The Fortune Men was shortlisted for the Booker Prize and praised as an excellent example of historical fiction that explores present day issues, in this case, racism and injustice. But it's more than fiction. The characters are real people whose voices have never been heard, and the story is taken from a real life incident that happened 70 years ago.

A teenage boy with raging hormones

Charles Highway is a "chinless elitist and bratty whey-faced lordling". He's the protagonist of Martin Amis's The Rachel Papers. His saving grace is that he's young, nineteen going on twenty, and if you can remember how awful you were at his age, you'll be able to laugh at the "devious, calculating, self-obsessed" little twit.

A cock that could drill a hole through stone?

Beautiful Antonio ticked a lot of my boxes. It's set between WW1 and WW2, with themes including fascism, hypocrisy, and gender inequality. Unfortunately I wasn't able to give the book my full attention, and read large chunks without digesting them. So it's a good job Tim Parks, the British novelist and translator of Italian works, had written a helpful introduction.

The story is set in Italy, the Sicilian town of Catania to be precise, and concerns a sensitive young man named Antonio, reckoned by family, friends, and random women to be the epitome of an "Italian stallion". All is not as it seems tho'.

My lack of imagination?

This is a review of the first 13% of Harmless Like You. Perhaps it's a good story. It was in a list of books I'd found on the theme of family relationships. It was shortlisted for a few awards too. The two main characters are Yuki and her son Jay, whom she abandoned when he was 2 years old. I found it mostly unreadable.

The worst of times

In simple terms, Autumn is about the relationship that develops between a 9-year-old girl called Elisabeth, and her elderly next door neighbour, Daniel Gluck. There's a lot more to it than that tho'.

It's a book firmly set in its time, that of the UK post-Brexit. Lack of funds for community services have led to libraries being closed, the way the Brexit referendum was framed has led to thoughtless tribalism, and the idea of protecting the land from invasion by foreigners is rife.

The world itself is the bad dream

I was taking a chance with The Bell Jar. A fictionalised autobiography about a young woman attempting suicide is unlikely to raise the spirits when you're living through the Covid pandemic. But there were headlines in the media about how lockdowns and isolation were affecting people's mental health so it seemed like something I should read. Besides, it's generally considered a classic.

A child's Christmas in...

Adults always claim that Christmas is for the children. Who are they trying to kid? Whatever your age, 25 December provides an excuse to stuff yourself with sweeties and play silly games.

If you want something to get you in the mood for a merry Christmas, you could do no better than to pick up a copy of Dylan Thomas's A Child's Christmas in Wales. It's so short you can read it in less than an hour.

Everyone thought I was rather a strange child

Convenience Store Woman is about Miss Furukura. "Everyone thought I was a rather strange child", she says, and it was only when she started working at a convenience store and was trained to deal with customers that she was able "to accomplish a normal facial expression and manner of speech." Now in her mid-30s, unmarried with no boyfriend, she's worked part-time in the same store for the past 18 years or so. Following her sister's advice on how to appear "normal", she's happy.

Latin, cockney slang, and teenage argot

I'd come across Bernardine Evaristo's 2001 book, The Emperor's Babe, in a search for fiction based in Roman times. It had won a few awards and been named "best book of the year" by several newspapers, so after reading 2019's Booker-Prize-winning Girl, Woman, Other I got hold of the author's earlier work.

Revolutionary deaths

Tu Montreras Ma Tete Au Peuple is a gem of a book, but as yet only available in French, the language of its author François-Henri Désérable. It contains ten bite-sized stories, myths and legends of the French Revolution.

The title of the book is taken from the supposed last words of Danton who is the subject of one of its fictionalised accounts. These narratives are based on a variety of reported last moments, some apocryphal, some invented, of the unfortunate souls who were guillotined during the Terror (generally reckoned to be from 1793 to mid-1794). Each is told from a different perspective, jailers, onlookers, relatives, friends, and even an executioner.

Beautiful princesses and handsome princes

Is the The Swans of Fifth Avenue a fairytale? In the Preface Melanie Benjamin describes the eponymous swans as if they really are talking birds floating on the water, rather than a group of rich American women who spend all their time buying clothes, having their hair done, or just doing nothing in expensive properties. Primarily tho', the book is about the relationship between writer Truman Capote and socialite Babe Paley - the other characters play supporting roles.

Mostly an entertaining story

Oh dear! This is the first book I've seriously considered not finishing, yet it started so well.

Allan Karlsson, never "given to pondering things too long", steps out of the window of his ground floor room in an old people's home, and sets in motion a series of tragic yet comic events. By chapter five we know a little about Allan's childhood, and his philosophy of life, "Things are what they are, and whatever will be will be. That meant, among other things, that you didn’t make a fuss, especially when there was good reason to do so".

The result of idle speculation

Hamnet is the name of Shakespeare's son who died aged 11, but the book is not really about him, it's about his mother Anne, or Agnes as she is known in the novel. It begins in 1596 with the boy home alone. The narrative follows him through the house, setting the scene, introducing us to the players. In the second chapter we go back in time to 1582 or thereabouts and meet Agnes Hathaway and her family.

Truth or fiction?

In John Banville's The Book of Evidence, Freddie Montgomery sits in prison, awaiting his trial and sentencing for the murder of Josie Bell. The unfortunate maid came across her killer as he was stealing a painting, and one thing led to another. In Freddie's account he imagines he's standing in court, talking to the judge. "Do you swear to tell the truth, the whole truth and nothing but the truth? Don’t make me laugh".

Freddie identifies the turning points that have led him to his current situation. But if we think we can begin to understand his actions by these meaningful moments, Freddie quickly puts us right. He says, "They have significance, apparently. They may even have value of some sort. But they do not mean anything. There now, I have declared my faith.".

We can't believe anything that Freddie says. Which parts of his life are fake and which real? He tells us he might try to use what he has written as his testimony. "But no," he says, "I have asked Inspector Haslet to put it into my file, with the other, official fictions." On finishing The Book of Evidence I can only conclude that Banville has written a metafiction, an account of a murder narrated by a fictional murderer who never stops telling us stories. Deep!