The past is a foreign country

In The Go-Between, Leo Colston, aged 60, finds his childhood diary and through its pages relives a traumatic event that impacted the course of his life. It was during the hot summer of 1900, when, approaching his 13th birthday, Leo spent three weeks in Norfolk with his schoolfriend, Marcus. He is eager to please Marcus's sister Marian, admires the rough masculinity of the farmer Ted, and is deferential to the aristocrat, Hugh.

Fast-paced page-turner for horror aficionados

A creepy castle, a woman in distress, disturbing dreams and much, much more. Rosemary's Baby is a classic gothic horror story that takes place, not in the middle of nowhere, but right in the heart of New York City.

It starts with a young, married couple, the Woodhouses, moving into The Bramford apartment building, much in demand for its period features, "weird, gargoyles and creatures climbing up and down between the windows."

What happens when the ones we love are enemies of the state

The ones we love ... are enemies of the state, writes Kamila Shamsie in the epigraph to her book Home Fire. The story is about what happens when a family member joins a group of people whose actions are seen to be dangerous to society. It is also a contemporary telling of the ancient Greek tale of Antigone.

In the opening pages, Isma, a young woman, is stopped at the airport on her way to America on a student visa. We find out that when her parents died she had to abandon her studies in order to raise her sibling twins, a brother and sister.

The giddy carousel of pop

Oh, the "Giddy Carousel of Pop"! Mark Ellen's amusing and nostalgic memoir brought back many happy music-based memories: Dad making annoying comments during Top of the Pops; sniggering with a chum over copies of Smash Hits; being in a band.

More seriously, the book traces the changing face of music journalism and the consumption of music since The Beatles. It also touches on what the life of a pop/rock star might be like.

Sorry Mr Orwell ...

Perhaps it's a little unfair to award Orwell's collection of 50 essays a mere three out of five stars. Some of the essays are brilliant, but there are plenty that, on first reading, are just ok. For instance, it was difficult to properly enjoy his discussion of the merits of Helen's Babies, or James Burnham's The Managerial Revolution, since they mean nothing to me. I would have got more from the essay on Gulliver's Travels if I had actually read Swift's work, and my knowledge of Shakespeare's King Lear was found wanting in the reading of the essay about Tolstoy.

There are, however, absolute gems in this collection:

Don't blame the victims

The Truants begins on a park bench. As dawn approaches, a vampire who has been alive since pre-history, is waiting to end his life. A teenager approaches, demands money, pulls out a knife and stabs him. In the immediate aftermath, the knife infects two children with the old-one's blood, thwarting his suicide attempt and allowing him to intermittently control the victims: Peter, an infant who has been abused since birth; Danny, a beloved son who enjoys Harry Potter.

The original psycho-biddy

Henry Farrell's What Ever Happened to Baby Jane? opens in 1908 with the famous child star having a tantrum in public. "What's ever to become of a child like that?" comments the matron of one of Baby Jane Hudson's fidgeting fans. "It's the others I pity, the ones who'll have to live with her," is the ominous reply.

Fast forward to 1959, and we find Jane living with her sister Blanche,