Don't work too hard

JG Ballard's Super-Cannes is a crime story set near Cannes in the South of France. Most of the action takes place in and around the Eden-Olympia business park, a closed community where Jane, a paediatrician, has taken a short-term contract. Her husband Paul, who is convalescing after a flying accident, tells the story.

Prior to the couple's arrival the previous paediatrician had run amok and killed 10 people, and as Jane becomes more engrossed in her work, Paul becomes obsessed with finding out what had provoked the bloody massacre.

Magic, dragons and witches

A Wizard of Earthsea tells the story of Ged, a boy with a gift for magic. He lives in the fantasy world that Ursula Le Guin has created, with dragons and witches, and where residents rely on local mages to cast spells for mundane situations such as changing the weather or protecting boats.

The tale unfolds in the narrative style of an ancient saga, as Ged learns his craft and becomes a powerful wizard. His youthful arrogance unleashes an evil shadow which must be hunted down and destroyed. It's a quest that takes Ged on a journey of self discovery.

Ursula le Guin tells a great story, but I was perhaps a little too old to really be captivated by it. I wish I'd read it as a teenager, when I was entranced by The Hobbit, and The Once and Future King.

The future problems of debt

The Transition is set in Britain of the near future, when buying property has become too expensive for the majority, and rents are so high that even well paid professionals cannot afford them. Nonetheless married couple Karl and Genevieve are happy until Karl's debt spirals out of control and he's convicted of fraud.

Rather than prison, Karl signs himself and his wife up for a six-month project called "The Transition", which involves them living with and being mentored by Stu and Jenna, a successful, older couple.

Midsomer Murders with witches

Paul Cornell's Witches of Lychford is a novella set in a village in rural England. Residents are divided over a proposal to build a new supermarket, and one elderly woman called Judith knows that if the development goes ahead, dark forces will be unleashed.

The story's premise is appealing in that it brings fantasy into a modern, stereotypical village setting; a sort of Midsomer Murders with witches. Its three main characters are likeable: Judith the elderly witch, Lizzie the vicar, and her childhood friend Autumn who runs the local witchcraft shop.

The new gods of America

"[-] there are new gods growing in America, clinging to growing knots of belief: gods of credit-card and freeway, of internet and telephone [-]"

Neil Gaiman's American Gods imagines what it would mean to be a god in the modern world. Its premise is that the gods brought to America by successive waves of immigrants, are growing old and forgotten through lack of belief. Modern gods have been created out of media and technology; these are the things in which people now put their faith.

Hollywood highbrow in 2050?

"... most of [Hollywood] 2050's productions would have seemed incomprehensibly highbrow to 1950."

Oh dear. I can't see this vision of the future becoming reality any time soon.

Childhood's End begins in the aftermath of WW2, when the development of nuclear weapons threatened to annihilate life on earth. Spaceships arrive and hover over the world, and alien Overlords establish order to ensure humans do not destroy themselves.

Pulling the wings off bluebottles

At least two men I know admit that as children they pulled the wings off bluebottles. Frank Cauldhame, the teenage protagonist of The Wasp Factory carries out much more cruel deeds, living on an isolated Scottish island with his father.

The book has many of the hallmarks of a gothic novel, and indeed this was what led me to read it. It had been sitting on a shelf for 30 years, a gift from a band who used the title as their name, and I always associated it with young men in their late teens and early twenties. As I started reading I understood why.